music

Alex Ross ruminates on the differences between live and studio recordings in his New Yorker article, The Record Effect: In 1964, Glenn Gould made a famous decision to renounce live performance. In an essay published two years later, “The Prospects of Recording,” he predicted that the concert would eventually die

Alex Ross ruminates on the differences between live and studio recordings in his New Yorker article, The Record Effect: In 1964, Glenn Gould made a famous decision to renounce live performance. In an essay published two years later, “The Prospects of Recording,” he predicted that the concert would eventually die

Alex Ross ruminates on the differences between live and studio recordings in his New Yorker article, The Record Effect: In 1964, Glenn Gould made a famous decision to renounce live performance. In an essay published two years later, “The Prospects of Recording,” he predicted that the concert would eventually die